2 files attached.
Approximately 4 pages in length, double-spaced. Clarify and defend your insights using direct quotations from the text. The content of the argument, the style of the composition, and the use of standard grammar and spelling will be taken into account in the grading process. Please use one-inch margins and a reasonably sized font (12- point). Pages should be numbered and the paper should be titled. (4-5 Quotes are necessary and must be in this format. Example 1: “since a prince must know how to use the character of beasts, he should pick for imitation the fox and the lion” (The Prince, p.48.)” (note page number and book used) Topic: “Julius Caesar” is more than Julius Caesar’s murdered king. Who or what is “Julius Caesar”? This is the question, and the problem, that much of the play and many of its characters seek to resolve. To what degree does the performance provide an answer to this question? How might we explore the relationship between the “public” and “private” Caesar? Why, and to what extent, is his identity divided in this way? Feel free to refer to the art of Julius Caesar (on Blackboard, under “course documents”) in your response (second file attached) List of images: 1. Vincenzo Camuccini, The Death of Caesar, 1771-1844 2. Jean-Leon Gerome, The Death of Caesar, 1824-1904 3. Johannes Zainer, Death of Caesar, woodcut manuscript, 1474 4. Virgil Solis, Deification of Julius Caesar, 16th century engraving 5. Adolphe Yvon, Julius Caesar Crossing the Rubicon, 1875 6. Edouard Cabane, The Speech of Brutus, 1857-1942 7. Edward Poynter, The Ides of March, 1836 8. George Edward Robertson, Mark Anthony’s Oration, 1926 9. Man Ray, Julius Caesar, 1948 10. Bernini, Aeneas, Anchises, and Ascanius, 1618 11. Karl von Piloty, The Murder of Caesar, 1865 12. Richard Westall, Brutus and the Ghost of Caesar,1802 13. William Blake, Brutus and Caesar’s Ghost, 1806