Discuss the sinicization (Chinese influence) on music from the neighboring countries of Tibet, Japan, and Korea.

Sinicization on music from the neighboring countries of
Tibet, Japan, and Korea
Sinicization, a process where in Chinese culture influences the non-Chinese societies specifically in terms of Han Chinese culture, societal norms, ethical identity and language. The Chinese influence in association of these countries can be explained as follows-
Sinicization and Korea
Most of sources in study of ancient music by Korean musicologist are Chinese historical works. In ancient Korean kingdoms, several records are preserved which originated from the Chinese official histories like the Twenty four chronicles, Ancient Chos, the nations and people of china’s neighboring land. A faint glimpse of ancient Korean society may be received through these records stating the Chinese influence on them to great extent. k_mun’go, an instrument played in Kogury_( the first of ancient Korean nations that achieved prosperity) was originally remade from a seven string zither sent from Chin-dynasty China (265-420). It is also mentioned in Chinese literary sources and can be seen in mural paintings. The Confucian approach was well suited philosophy and approach of music in china that exerted continuous influence on Korea. The yayue music of china was exerted in Korea where it was names as aak. The Korean aak developed from Chinese music. Conceptually, Chinese influence has shaped this elite musical Korean tradition but the actual melodies, tone color, sounds and rhythms it has was original Korean creation. Another Korean musical form tangak was also imported originally from china which later got molded in...